On the Solemnity of All Saints, the Church rejoices in the countless holy men and women—known and unknown—whose lives reveal the transforming grace of God. Their witness reminds us that holiness is not reserved for a select few but is the vocation of every Christian. The music of this celebration should express both our joyful communion with the saints and our own hope of joining them in the heavenly kingdom. Here are several recently released selections to help your community celebrate this feast.
Blessed and Holy
Blessed and Holy is a strophic adaptation of the Beatitudes, based upon the version found in Matthew 5:3–12, rather than Luke 6:20–26. The Beatitudes (or “blessings”) are often interpreted to mean that Jesus’ followers will find their reward after their death. In my paraphrase, I wanted to express the ambivalence of Jesus’ message that the Reign of God, while still coming in its fullness, is already present and realized by those who follow the “Jesus path” (as I would call it). -Marty Haugen
Lord, This Is the People
This accessible setting of Psalm 24 features a memorable assembly refrain and naturally flowing verses in the Gelineau style. Steady keyboard and guitar accompaniment supports the cantor and choir, while two optional C instruments add color and energy.
For the Faithful Who Have Answered
Sylvia Dunstan’s hymn features themes of discipleship, the Communion of Saints, faithfulness, and justice. While it is suitable for year-round use, it is especially appropriate for occasions when we remember and offer gratitude for those who have heard and answered God’s call. -Mark Scozzafave
Such a Great Cloud of Witnesses
This song was written for use on All Saints Day for Gathering or Communion, but would be appropriate for other occasions when the communion of saints fits the readings. Although the cantor verses are written out rhythmically, they should be sung in a natural, almost chant-style rhythm rather than slavishly sticking to the beats. -Carol Browning
The Beatitudes: Venite ad me
Latin words of invitation from Matthew 11 are interwoven with the English Beatitudes in this richly expressive setting for SATB choir and organ. Shifting textures, lyrical counterpoint, and recurring “Venite ad me” and “Beati” motifs create a compelling musical meditation that moves from quiet consolation to radiant praise.
Litany of the Saints / Letanía de los Santos
This bilingual, accompanied setting of the traditional Litany of the Saints chant provides the full text as it appears in the Easter Vigil liturgy in The Roman Missal. However, this setting may also be used a standalone setting for other occasions (e.g., the Feast of All Saints, funerals, ordinations) by ending the piece at m. 44. Alternate saint names may be used in place of the ones set in this octavo with minimal adaptation. The choral parts that undergird the verses help add color and texture as the piece unfolds, especially when several verses are used in a long procession.
-Tony Alonso
